Learn Guitar Music Theory on the Fretboard - Lessons By Desi Serna

New Blog

2011-02-16T11:34:00.000-08:00

The blog http://guitarmusictheory.blogspot.com has moved to: http://www.guitar-music-theory.com/blog/

No new posts will be added to this old blog. Please start following the new blog. Thanks. -Desi

How to make mode scales

2011-02-03T08:19:00.000-08:00

Why do guitarists make mode scales by flatting and sharping the notes? http://on.fb.me/h7N79r

United We Tab Questions

2011-02-01T15:55:00.000-08:00

Here are answers to some common questions about the United We Tab guitar website I've been recently promoting. http://on.fb.me/g5H9xE

Songs I Recommend Guitar Players Learn

2011-01-27T12:35:00.000-08:00

Stairway to Heaven, Tears in Heaven and Under the Bridge among recommended songs to learn. Get GUITAR TAB at: http://on.fb.me/gHiZyT

My Christmas Wish 2010

2010-12-23T08:46:00.000-08:00

Did you know...

...there are all kinds of scientists, scholars and researchers who believe that the Bible is really true?

...you can make a real scientific case for creation and against evolution?

...circumstantial and historical evidence supports the life, death and resurrection of Jesus?

...the message of the Bible is the most important thing in life?

Don't believe me? I wouldn't expect you to. But if what I'm saying is really true, then you ought to be able to look it up and *see it for yourself* without taking someone's word or believing by blind faith.

My Christmas wish this year is that you would do something to learn more about this topic and develop a better understanding of why the Bible is the most influential book ever written and why the legacy and impact of Jesus is greater than that of any person or event in all of history.

3 different ways to get started...

READ:

I Don't Have Enough Faith to Be an Atheist
Don't let the title of this one fool you. It's not just for atheists. I recommend this book to anyone, including Christians, who want to understand all the different types of evidence from different fields of knowledge that support the biblical worldview. I found this book to be captivating and one of the most important reads of my life. It totally changed how I viewed the Bible.

LISTEN:

Did Jesus really exist? Is there any historical evidence of Jesus Christ?
GotQuestions.org explains that there is overwhelming evidence for the existence of Jesus Christ, both in secular and biblical history. And this article is spoken and recorded so that you don't have to read. Look for the *MP3 Audio* button toward the top right of the article to listen. Once you're finished you can peruse through the 1,000s of other questions and answers. I recommend you start with their list of "Crucial Questions". Also, see their free audio podcast at iTunes. With resources like this you no longer have to be confused or wonder about what the Bible really says or means.

WATCH:

Origin of the Species: Was Darwin Right?
We now know that while Darwin was right about some things, he was wrong about others. Survival of the fittest, natural selection, mutations, and decent with common ancestry are all observable and well documented. But these processes cannot account for the origin of life or change one type of organism into a completely new type of organism. The fact is, bacteria remain bacteria, fruit flies remain fruit flies, and so on.

Lucy—She’s No Lady!
Textbooks and museums often portray Australopithecus afarensis (a.k.a. "Lucy") as having human hips, hands and feet. But did you know that the actual findings did not include these human features? Lucy had ape hips, hands and feet. Why the deception? Because there are no real ape-men to support the theory of evolution so evolutionists have to fabricate examples in order to build their case! And the worst part is that we all accept these bogus depictions without questioning them.

I'm a Christian. I don't identify myself with any specific denomination or practice - I just believe that the Bible is true and divinely inspired. Why? Because I *looked it up* and verified it. In fact, I was STUNNED at what I discovered! It changed my life (for the better).

Have you ever thought that "one of these days" you'll get around to learning more about this stuff? Well, now is the perfect time. Don't put it off any longer. Make this Christmas one to remember forever!

That's my Christmas wish this year.

Merry Axe-Mas and Happy New Gear!
Mr. Desi Serna
Website: http://Guitar-Music-Theory.com
Facebook: http://facebook.com/guitarmusictheory
Twitter: http://twitter.com/MrGuitarTheory
YouTube: http://youtube.com/GuitarMusicTheoryTab
Podcast: http://bit.ly/ac4cDk

Ear Training and Guitar Finger Exercises

2010-12-09T08:15:00.000-08:00

"What do you think about ear training? Been doing some exercises on a site called good-ear and seem to be improving. Is this a skill that can be developed? How important is it to advance as a musician?"

Any time you listen to music or play guitar your ear benefits. As for exercises that specifically try to train the ear, I'm not sure what I think about them. I've never used them and I think the same is true for all the famous guitar players we know and love.

I think in order to develop as a player you need to spend time... PLAYING! I’ve seen finger exercise devices that are marketed to guitarists and intended to help develop finger strength and dexterity. They certainly do stimulate your finger muscles, but they won't help develop guitar playing because that's something that can only be accomplished with a guitar in hand.

If other types of finger activities could make you a better guitarist, then people who sit down and type for 8 hours a day ought to be able to pick up a guitar and play circles around us. Or the same with people who play Guitar Hero all the time. But we all know that these activities don't replaced actual guitar playing. I think the same is probably true for ear training.

With this said, ear training can be fun and there's no reason to deny yourself the enjoyment. It may help improve you in some ways. And as long as you're getting enough guitar practice time in, spending some time on ear training can't hurt.

Someone recommended the website http://trainer.thetamusic.com to me. Try it out and let me know what you think. I'd like feedback.

Play Until Yer Fingers Bleed!
Mr. Desi Serna
Website: http://Guitar-Music-Theory.com
Facebook: http://facebook.com/guitarmusictheory
Twitter: http://twitter.com/MrGuitarTheory
YouTube: http://youtube.com/GuitarMusicTheoryTab
Podcast: http://bit.ly/ac4cDk

Fretboard Theory EPUB for Nook, iPad

2010-12-06T12:17:00.000-08:00

My best-selling guitar theory book, Fretboard Theory, is now available in the popular EPUB format for the Nook, iPad and other portable reading devices.

Search Fretboard Theory at Apple iBooks or buy at Barnes and Noble: http://bit.ly/i7C6yd

And don't forget Amazon Kindle: http://www.amazon.com/Fretboard-Theory-ebook/dp/B004ASNACS

PLEASE NOTE: These new formats are only available at Amazon, Barnes and Noble and Apple iBooks. I cannot offer any discounts or special pricing at these online retailers.

Guitar Solo Contest

2010-11-16T13:55:00.000-08:00

I entered a guitar solo contest! You can see and hear my entry at the link below. Enjoy!

http://www.youtube.com/watch?v=miU_9kFobAE

The song is called "Reaching For You" by Christian music artist Lincoln Brewster (who is a phenomenal guitarist). I composed and played my own lead guitar solo over Lincoln's track for this contest.

You can search for and view other entries on YouTube too. Many of them are quite good.

Fretboard Theory Amazon Kindle

2010-11-13T08:57:00.000-08:00

Fretboard Theory is now available for the Amazon Kindle!

http://www.amazon.com/Fretboard-Theory-ebook/dp/B004ASNACS

You can now download my best-selling guitar theory book from Amazon.com and view it on your Amazon Kindle portable reading device. Within minutes you can start learning about scales, chords, progressions, modes and more. The ebook is a complete guitar theory course with tons of references to popular songs.

New Guitar Facebook Page

2010-11-09T17:48:00.000-08:00

Hey blog followers!

I have a new Facebook page devoted entirely to guitar lessons and music news. Visit the link below, click on "Like" and stay tuned!

http://www.facebook.com/guitarmusictheory

Barre Chords Are a B*tch!

2010-11-09T08:29:00.000-08:00

“I’ve been trying to play bar cords for about 2 years But I have arthritis in my hands and I cant straighten my index finger so all the strings don’t get pushed down. Do you know of anything I can do about this? I was thinking about taping something to my finger to make it straight but I don’t know what that would be. I’m 70 years old and I would like to be able to play bar cords. Thanks. I bought a lot of your stuff, I think is very good If I could only do it.”

GUITAR BARRE CHORDS
There are a few things you can do to help with playing guitar barre chords.

PARTIAL CHORD SHAPES
The first thing is to work with partial shapes. Experiment with just fretting and playing pieces of the chord instead of the whole thing. For example, with barre chords along string 6 you could just finger strings 6, 5 and 4 and play power chords. Or you could just finger strings 5, 4 and 3 (this would be a fifth, root and third which makes a full chord). Be sure to only strum the strings you’re fretting on.

"F" CHORD
Another partial example is the common “F” chord played in the first position. It’s actually just part of a full barre chord with strings 5 and 6 omitted. You can move this shape around the neck and use it in place of full barre chords (just be sure to only strum the strings you’re fretting on). Jimi Hendrix was famous for using this partial shape and then wrapping his thumb around the neck to fret the root on string 6. For many players, including me, this fingering is not so hard and quite comfortable.

"A FORM" BARRE CHORD
With an "A form" barre chord you don't really need to barre. You can just grab the root on string 5 with your index finger and then flatten your ring finger out for the rest. Just be sure to avoid strumming the first string.

Here are a handful of pictures that demonstrate some fingering possibilities.

CHANGE UP
I have found that there is no perfect barre chord fingering. I end up using them all depending on what kind of sound I want and what makes my hand comfortable. If I have to play barre chords through an entire song with little or no breaks, then I change up my fingerings just to prevent my hand from cramping.

PLAY THROUGH SONGS
Be patient, start with simplified shapes, and give yourself time to get comfortable with something before you try to take on more. For example, in lesson I used to make students play through every song they knew just using the “F” shape and moving it around the neck. Sometimes it would take weeks for them to play through everything. By then they were pretty good at it and were ready to move on and try more.

Partial chord shapes for common barre chords plus the entire CAGED chord system with arpeggio patterns is taught in my book Fretboard Theory Chapter 3 and also my DVD entitled CAGED Template Chord System. Click the links and sign up for free previews.

Guitar Tab and Learning Songs

2010-11-02T08:54:00.000-07:00

This is just a reminder that my books and DVDs will NOT teach you how to play songs, but rather the *theory* behind songs.

With that said, I give away free guitar tab that corresponds to my free videos on YouTube.

TAB
http://guitar-music-theory.com/tab-mp3.html

YOUTUBE
http://www.youtube.com/user/GuitarMusicTheoryTab

These tabs make a great study companion to the materials I sell because I reference these songs throughout the course.

WHAT MAKES UP A SONG?
If you want to become a better guitar player and a good musician, then it's important to not just memorize songs but also understand what makes up a song and why.

GUITAR THEORY
Developing a good working knowledge of guitar theory, including what scales to use, why chords go together and how to properly visualize the fretboard, can dramatically improve your ability to learn and remember songs, use things you already know, improvise and compose your own music.

And knowing the *inside secrets* makes music more interesting and enjoyable too!

GET THE THEORY NOW!
http://bit.ly/aJoij7

Finally a guitar teacher with a method that makes sense!

2010-10-30T12:22:00.000-07:00

Veteran guitar player of 26 years just couldn't seem to find anyone or anything that could teach guitar theory to him in plain & simple terms. Read his story.

Phish Possum Trey Anastasio Guitar Solo

2010-10-27T07:55:00.000-07:00

In the song "Possum" by the jam band Phish you can hear lead guitarist Trey Anastasio play over a 12 bar blues type progression using a mixture of scales and keys. Jump to around 3:31 for an idea.

http://www.youtube.com/watch?v=TCzS1jCa9uY

I explain the theory behind blues guitar scales and demonstrate how to apply and combine major and minor pentatonic scale patterns, major scale patterns and mixolydian mode in my free guitar theory podcast episode 10.

Blues Guitar Theory
http://itunes.apple.com/us/podcast/guitar-music-theory-lessons/id258401691

The Phish video is definitely following what I lay out in the blues podcast. Each chord is treated like its own key. Multiple scales an tonalities are combined to create the overall blues, country and jazz sound.

Combining scales and keys like this results in A LOT of note choices. This in turn means that there are A LOT of licks and phrases that can be played. Trey may be too far ahead of most of you. If you want to work toward soloing at this level, then be sure to master simpler styles first. Staying in one key is a good start!

Minor Scale Modes for Guitar

2010-10-22T08:27:00.000-07:00

Minor scale modes are based on the same scale & chord progression patterns that guitarists use for major scale modes. http://bit.ly/ceINDY

At What Point Does a Guitar Player Know it All?

2010-10-20T07:18:00.000-07:00

Mr. Desi Serna,

My name is Miguel Sanchez and I am a Junior student at Marquette University High School in Milwaukee, Wisconsin. I am currently in the process of writing a paper for my English class and my topic or main focus was to look at different views on Guitar playing and what or where is the point in a guitar players career in which all can be known. To rephrase it a bit better, how can someone truly know or distinguish the end of a guitar, all that is possible to be learned. I gratefully will thank you for your insight and thoughts on this matter.

Thanks,
Miguel S.

Thanks for the email Miguel. Wow, what a profound question. There doesn't appear to be an end to the guitar, or at least no one has reached it that I'm aware of. Styles and techniques continue to be improved upon. The creative process continues to yield new ideas. The amount of subtle differences between the skills and artistry of different guitarists is as varied as the differences in the physical features and personalities of people in general. Since the uniqueness of individuals hasn't reached a limit yet, I don't suspect the end of guitar playing is close to being reached either (if it can even be reached at all).

There are some spiritual implications to this topic that I find interesting. Consider that music is not something we make possible, but rather it's something that is already possible and we simply discover it. Mankind's knowledge and skills, along with sound and the ways in which sound can be manipulated are ultimately made possible by a creator. In fact, the Bible says, "For since the creation of the world God’s invisible qualities—his eternal power and divine nature—have been clearly seen, being understood from what has been made, so that men are without excuse (Romans 1:20)." There's a reason why music exists and works the way it does.

So how much is there to learn about guitar playing? Well, the creator of guitar playing says of himself, "As the heavens are higher than the earth, so are my ways higher than your ways and my thoughts than your thoughts (Isaiah 55:9)." Considering the infinite source, I'd say the possibilities are endless! And as a believer in Christ, I'll have all of eternity to discover new things about guitar.

Play Until Yer Fingers Bleed!
Mr. Desi Serna
Website: http://Guitar-Music-Theory.com
Facebook: http://facebook.com/guitarmusictheory
Twitter: http://twitter.com/MrGuitarTheory
YouTube: http://youtube.com/GuitarMusicTheoryTab
Podcast: http://bit.ly/ac4cDk

Questions About New Downloads

2010-09-29T07:10:00.000-07:00

These are answers to some questions about my new DVD digital downloads.

Q: Can I buy and download an individual program or do you only offer the package deal?
A: Yes, you can download individual DVDs for only $18.95 each. Scroll down toward the middle of the order page.

Q: Do you offer free access or further discounts to customers who already own your DVDs?
A: Yes. I can discount them further for you (sorry no free access). Please email me and be sure to use or include the email address you originally ordered the DVDs with so I can confirm your purchase. I’ll follow up with the existing customer discount details.

Q: If I already bought and downloaded a .mov file can I be given access to the other formats?
A: Yes. Email me if you would like to exchange for a different format.

Q: I already own your videos. Why are you trying to sell them to me again?
A: I broadcasted this announcement to my entire mailing list. And I’ll be sending out a few more messages about it. Please disregard if you already own the videos.

Q: Do you have any new programs for sale?
A: No. But now that I’ve finished making my DVDs available as digital downloads I intended to create some new materials that will pick up where Fretboard Theory and my DVDs leave off. Stay tuned!

More questions or comments? Feel free to email me.

ORDER NOW

Play Until Yer Fingers Bleed!
Mr. Desi Serna
Website: http://Guitar-Music-Theory.com
YouTube: http://youtube.com/GuitarMusicTheoryTab
Twitter: http://twitter.com/MrGuitarTheory
Facebook: http://facebook.com/desi.serna
Myspace: http://www.myspace.com/guitarmusictheory
Podcast: Search Desi Serna at iTunes

Is it better to start of acoustic or electric guitar?

2010-08-24T08:39:00.000-07:00

“Should I start on acoustic or electric guitar?"

This is the number one question I get asked by newcomers. First let me explain to you the difference between an acoustic and electric guitar.

The Difference Between Acoustic and Electric Guitars
The bodies of acoustic guitars are hollow boxes that serve to amplify the sound of the strings when they vibrate. Electric guitars are usually made of a solid piece of wood and the sound of the strings is picked up by electro-magnetic pickups. This signal is then sent to an amplifier.

Acoustic guitars can be played and enjoyed without any additional amplification. Electric guitars need to be plugged into an amplifier to truly hear their sound. Both acoustic and electric guitars include six strings, are tuned the same, and are basically, at least in the beginning stages, played the same. What you learn on one type of instrument will carry over to the other.

Steel-String and Nylon-String Acoustic Guitars
Acoustic guitars include steel-string and nylon-string varieties. The steel-string, or "folk guitar," is the standard type and is used the most in popular music. Song examples are "Yesterday" by The Beatles, "Stairway to Heaven" by Led Zeppelin, "Me and Bobby McGee" by Janis Joplin, and literally a million other tunes.

Nylon-string guitars, which produce a softer sound, are primarily used in classical and flamenco music but they sometimes appear in more mainstream music as well. Song examples include "Tears in Heaven" by Eric Clapton and "Have You Ever Really Loved a Woman?" by Bryan Adams. Country music icon Willie Nelson, part rebel and part oddball, has strangely made a nylon-string guitar his instrument of choice which is uncommon in his genre.

Either type of acoustic guitar is suitable for beginners. You may want to stick with a steel-string since it's the most common. They will produce the sound you hear in most popular acoustic songs. There are a few benefits of the classical variety. Nylon strings are a little softer on the fingertips. Also, the strings are spaced slightly farther apart, which can give more room to chubby fingers.

Acoustic Guitar Prices
A good starter acoustic guitar will cost between $100-$200 by itself. For a bit more, you can get a pack that includes a gig bag (soft case), strap, electronic tuner, extra strings and picks. Acoustic guitars don't come in nearly as many shapes as electric guitars because their shape has an effect on how they sound. In general, you'll find this to be true about acoustic guitars: the bigger the body, the bigger the sound.

Electric Guitars
Electric guitars are as common in popular music as steel-string acoustics and even more common in rock styles (especially guitar solos). The electric guitar signal is frequently routed through devices that add special effects to the sound. These effects include reverb, distortion and echo. Electric guitar song examples include "Johnny B. Goode" by Chuck Berry, "Purple Haze" by Jimi Hendrix, the never-ending solo to "Free Bird" by Lynyrd Skynyrd, and literally a million other tunes.

Electric guitars come in a wide variety of shapes, colors and pickup configurations but they are all played the same. There are no specific types or features that a beginner requires. It's all up to what you think looks nice, feels nice and fits your budget. Later, after your ear has had time to develop and can discern between all the different tonal characteristics, you may find that you prefer some models to others. Until then, don't worry about it. Just get a guitar and learn how to play!

Electric Guitar Amplifiers
Electric guitars don't make much sound on their own and need to be plugged into an amplifier to truly hear them. Be sure to factor the price of this additional item when you calculate the cost of buying an electric. Nothing fancy is required. A suitable starter amp can be bought for under $100.

Electric Guitar Prices
Electric guitar prices are similar to acoustic guitar prices ($100-$200) but with the additional expense of an amplifier. Most manufactures offer a package deal that includes a gig bag (soft case), strap, electronic tuner, extra strings, picks, plus an amplifier, cable and headphones. You can get all this for under $300 and it’s perfect for a beginning guitarist.

Which to Choose, Acoustic or Electric?
Any guitar will do, whether it is steel-string, nylon-string or electric, as long as it's a decent instrument in good working condition. I recommend that students use what they're most interested in playing.

In regard to which kind of guitar will better help a new player to develop, perhaps the biggest myth is that a student should begin studying on an acoustic and graduate to an electric. I completely disagree with this concept. In fact, one could make a good case against starting out on an acoustic. This is because acoustic guitars have thicker strings and higher action, which make them a little tougher to play. They put more stress on the fingertips and it takes slightly more skill to get a good sound. An electric on the other hand, has lighter strings, lower action and it's easier to access the entire neck. More importantly, most students want an electric guitar and are more likely to be enthusiastic about practicing with one. This whole argument aside, it really doesn't matter what you start on. Just start!

Beware of Junk
The figures I mentioned above are generally where the price of decent instruments start. While it's possible to find a suitable guitar even cheaper, it's also possible to waste your money (and time) on a guitar that's too cheap to be played. Some guitars are borderline toys. They are made to look like legitimate instruments, but they are unable to be tuned and nearly impossible to actually use. Beware of guitars sold in department stores or catalogs that aren't specifically guitar related. Also, most hand-me-down, garage sale, and flea market guitars are passed on for a reason: They're junk! You'll have a very hard time trying to play an inadequate instrument (if you're able to play it at all).

For hours of free beginner guitar lessons watch the videos posted at the Easy Beginner Guitar Songs website.

Guitar Scale Fingerings

2010-08-21T10:43:00.000-07:00

“Is there a correct guitar scale fingering for the pentatonic patterns?”

Pentatonic Scale Fingerings
There are a few different ways you can finger pentatonic scale patterns. There is no perfect fingering and you’ll surely end up utilizing more than one depending on what you’re trying to play. As a general rule don’t use your index and middle fingers alone. This approach isn’t efficient and will make you look and sound like a hack.

Many guitarists learn the patterns best by using all four fingers. The notes of each pattern are spread across four frets. The exception to this rule is pattern three which is spread across five frets. Using four fingers allows you to use one finger per fret and makes it easier to visualize the patterns. You may prefer to use only your index and ring fingers. This approach helps many guitarists generate more power and control without getting adjacent fingers tangled up.

"Proper" Fingerings
Often you’ll hear opinions about how guitarists should and should not finger certain things. Some allege that there is a “proper” fingering for everything. You might find yourself falling into this line of thinking too. For example, you would think that it's more "correct" to use the pinky, or at least it's a bad habit to avoid it. But many players, including Stevie Ray Vaughan, Eddie Van Halen, and Eric Johnson do most of their scale/solo work with three fingers. I tend to favor three fingers too (although I use my pinky in my instructional guitar videos because I think it makes it easier for the viewer to see where I'm fretting). So obviously the theory of “proper scale fingerings” doesn’t hold up in practice.

With all this said, you have to find the fingerings that work for you. If you play and sound good, then you’re doing it right!

What’s the best age to start guitar lessons?

2010-08-20T10:28:00.000-07:00

Guitar Lessons for Kids
Instruments are not toys and there's a necessary level of maturity required in learning how to play. My teaching experience has shown that the students who do best are teens and adults. Children struggle with a few things; their hands are small and not as coordinated as older students, and their interest in playing guitar tends to stem more from their fascination of the instrument and its players rather than a serious interest in physically practicing and playing.

Adult Guitar Lessons
Adults learn better and faster than teenagers, but tend to be more easily discouraged. Their mind set appears to be based on the idea that learning something new is for the young, not the old. As a result, adults sometimes feel out of place. Adults are also more self-aware with better-developed ears, which makes it harder for them to tolerate the sometimes unpleasant-sounding learning process. Less mature students don't know any better and think that they sound great from the beginning. Bottom line: Those who play a lot and stick with it do the best. Be patient and give yourself time to work everything out.

Get answers to more beginner guitar questions by visiting the Easy Beginner Guitar Songs website.

Learning How to Use Guitar Modes Lesson DVD Testimonial

2010-06-11T09:53:00.000-07:00

This is what a recent customer had to say about my DVD, Guitar Modes - The Modal Scales of Popular Music.

"All I can say is WOW! I'm a singer songwriter & musician who's been playing guitar and keyboards for over ten years, but have never been able to get a handle on how to use modes in any sort of constructive way. Even though I'm classically trained in keyboard and knew the theory I was still confused about how to make it all work. Your tutorial not only dispelled the myths and dismantled some bad teaching I had received, but it also explained the core of what modes are about in an easy to understand practical and straigthforward manner which I was able to apply immediately to material I'd been working on.

I have a long way to go to fully explore and understand the depth of knowledge put forward in your tutorial, but it's like someone has opened a door to a musical garden of eden and laid out in front of me a veritable cornucopia of creative possibilities.

I now see that modes are (almost) like another form of modulation within a key itself, and this is the missing link I was looking for. I always knew when I listened to songs like Tom Petty's Here Comes My Girl that something was not normal about the verse, and that there was something I was missing (because you just don't get that sound from any traditional major or minor scale). I though it was modulation to a key I could not figure out, but of course now I know it was modal

Now I know...yes, now I know, everything is Modes...everything!

Your video will prove indispensable to anyone involved in the creation of music, for me personally it's been the final
piece of the puzzle."

Many many thanks,

Clint O.

Learn more about guitar modes and sign up to receive a free DVD preview.

Play Until Yer Fingers Bleed!
Mr. Desi Serna
Website: http://Guitar-Music-Theory.com
YouTube: http://youtube.com/GuitarMusicTheoryTab
Twitter: http://twitter.com/MrGuitarTheory
Facebook: http://facebook.com/desi.serna
Myspace: http://www.myspace.com/guitarmusictheory
Podcast: Search Desi Serna at iTunes

Electric Guitar and Amp Set Up

2010-05-28T07:38:00.000-07:00

My guitar theory video lessons feature a Paul Reed Smith CE24 electric guitar played through a Line 6 Pod Pro. I use the Pod's left/mono XLR out in Live mode. It goes into a Mackie mixer and then I take a line out into the camera.The Pod Pro sounds much better than the regular Pod. I think it's the XLR output that makes all the difference. It's not a real amp, but an amp modeler. I agree with the purists that the tone from real amps is better, but amps are impractical in some settings. The Line 6 products are very easy to use and sound good enough to me.

A favorite trick of mine is to create a patch with the drive and channel volume all the way up, and then turn the volume on the guitar down to about 3 or 4. You can get some great blues tone this way particularly on the Line 6 BLACK PANEL amp model. If you crank up the reverb and add a little delay, it can sound like you got a cabinet cranked up in the next room.

By the way, turning the volume on the guitar down works well on my PRS because rolling off the volume doesn't also take away the high end. If your guitar sound becomes muddy when you do this, then look into installing a volume pot mod. It only costs a few dollars.

What key is Rock and Roll, Hoochie Koo in?

2010-05-11T06:54:00.000-07:00

Rock and Roll, Hoochie Koo is based on the A minor pentatonic scale and A minor scale (natural minor or Aeolian mode).

The intro uses the chords F5 G5 A5 and then a C5. This chord movement is very common and stems from a 4 5 6 chord progression in the A natural minor scale (Aeolian mode, C major scale). But only power chords are played (if you listen closely you can hear that a 6th interval is added to the F5 and G5 giving it a blues shuffle style). Instead of using the full minor scale over these changes the guitars mainly stick to A minor pentatonic (as heard in the riff at the end of the chord figure).

The E7 (0:28 in the video) is technically a key change, but you could treat it like a blues 5 chord and continue playing A minor pentatonic over it. You could think of it as the 5 chord in the key of A major and play A major scale patterns over it. You could treat it as a blues key change and play a mixture of E major and E minor pentatonic scales over it. Or it could possibly be thought of as a 5 (V7) chord in A harmonic minor (but this might sound a bit too exotic for this bluesy rock song). Or you could not play over it at all, as is the case in the song.

The verse (0:51 in the video) uses the chords A5 C5 D5. Again, these power chords still stem from the A natural minor scale (Aeolian mode, C major scale). All of these notes are also found in the A minor pentatonic. The guitar riff that occurs after each line of the verse is the A minor pentatonic with a chromatic passing tone added (blues scale). See guitar tab below.

Verse Riff: A Minor Pentatonic "Blues" Scale Patterns 3 & 4
E----------------------|------------------|
B----------------------|------------------|
G------14--14-12-------|----------12b(14)-|
D----------------14-13-|-12-10------------|
A--12------------------|------------------|
E----------------------|------------------|

So you can see that Rock and Roll, Hoochie Koo is based on minor chord progressions and pentatonic scale patterns. This is very common in blues and blues-based rock songs.

How to Play Guitar with Small Hands and Short Fingers

2010-05-03T07:17:00.000-07:00

"Any tips for guitar players with small fingers/hands?"

With guitar playing, there are advantages and disadvantages with all hand sizes. If you have small hands or short fingers, then my advice is to not try to play like you have big hands or long fingers.

I met Brent Mason, one of Nashville's top session guitarists and an amazing player, and was surprised at how small his hands were (he's a little guy). He can do things that I can't do as well with my long fingers (like fret some chord shapes and play rapidly in tight spaces). He plays to his strength and I have to play to mine.

I usually feel more comfortable playing scale patterns that are spread out, like three-notes-per-string patterns. A guitarist with smaller hands probably does better to use scale patterns that fit into smaller positions.

Find what you can do well and... do it well! You may need to play some things differently than the recordings or skip them altogether, but this shouldn't hold you back. It certainly isn't holding Brent Mason back (see video linked to below).

Brent Mason Has Small Hands
http://www.youtube.com

Minor Modes

2010-04-26T08:40:00.000-07:00

"Just finished watching your video on Modes. I really enjoyed it and found it very useful. Will you be expanding more on the other modes (minor modes)? It would be interesting dive deeper in."

The minor modes are Dorian, Phrygian and Aeolian. Do you mean the harmonic and melodic minor scale modes? If yes, I don't plan on covering them because with very few exceptions they just don't occur in popular music. They still can be interesting to explore but be careful not to get ahead of yourself. There is so much fundamental guitar theory that you need to know before delving into more advanced topics.

Harmonic Minor Scale Guitar
When you're ready I recommend checking out the following books from Dock Mock on harmonic and melodic minor scales for guitar.

Problems with Guitar Modes

2010-04-26T08:36:00.000-07:00

"I've spent some time going over your podcasts (which are awesome btw), but I'm having some problem with the one you did on modes. It seems everywhere I look, they talk about using different scales ect. I know you said to ignore this, but what is the difference between what you teach and what these people are saying. Are you supposed to play different scales over the chords when you are going for an effect in a mode?"

Good question. The problem with most guitar modes instruction is that the instructors either assume you already understand the fundamental modal concept, or the instructors themselves don't understand it. As a result they end up teaching ideas that are offshoots of the modal concept and based on their own personal philosophy. I highly recommend you get my DVD Guitar Modes - The Modal Scales of Popular Music as it lays everything out as clearly as can be. Once you master the fundamental concept you may be able to wrap your mind around the other personal perspectives that are taught.

How do you start and stop on time with a guitar loop pedal?

2010-04-23T07:11:00.000-07:00

"What is the trick to getting a perfect loop? It seems that when I play it is not obvious when to push the stop button."

One of these days I need to get around to making a video about looping. Until then all I can tell you is that you have to hit the pedal the second time at the exact same point you began. So for example, if you start at beat one of a measure, hit the pedal precisely on that beat both the first and second times. Also, play through after you hit the pedal the second time as if you were going to keep going. Otherwise you might slow down or stop at the end of the loop in a manner that makes the transition back to the beginning noticeable. You want it to sound seamless.

I use a Boss RC20 Loop Station in my guitar theory DVDs.

Guitar Study Habits, How to Practice and Warm Up

2010-04-21T08:54:00.000-07:00

Learning songs is one of the best ways to study and practice, and all famous guitar players have done it. http://bit.ly/a905QE

Guitar Picking Technique

2010-04-20T08:50:00.000-07:00

"One thing that keeps frustrating me is continually hitting the wrong string with the pick! Any thoughts you have on being able to hit the right string with the pick every time?"

You need to rest your hand on the guitar body and keep the pick close to the strings. This will give you more control over the pick and allow you to use your hand to mute strings. For example, as you pick the first string (high E) your hand can actually rest on the other strings keeping them quiet. This is especially important when playing with distortion and at loud levels. Other than that, don't bite off more than you can chew. Work on mastering simple guitar parts before you try to jump back and forth across all the strings quickly. Picking accuracy will develop in time.

I demonstrate right hand placement and technique in my DVD, Getting Started with the Pentatonic Scale.

Why is a 7 chord not built with a major seven interval?

2010-04-01T08:05:00.000-07:00

This is a great music theory question, and one that creates a lot of confusion among guitar players and musicians in general. The confusion lies in the fact that there are two types of seven chords built on a major triad. A major seven and a dominant seven. A major seven includes the interval which is a half step below the root. This occurs on a 1 chord and a 4 chord. A dominant seven includes the interval which is a whole step below the root. This occurs on the 5 chord. Major seven chords are always referred to as "major sevens." But, and this is where it gets weird, dominant seven chords are simply called "seven." I mention this in Fretboard Theory Chapter 10 on page 130. See the headline "Dominant Seven (V)."

Greatest Phenomenon

2010-04-01T07:43:00.000-07:00

Like it or not, he's the greatest phenomenon that has ever crossed the horizon of this world.

http://www.youtube.com/watch?v=2z15FlTONVo

"This is what is written: The Christ will suffer and rise from the dead on the third day, and repentance and forgiveness of sins will be preached in his name to all nations, beginning at Jerusalem. You are witnesses of these things." Luke 24:46-48

I Don't Have Enough Faith to Be an Atheist

Origin of Species: Was Darwin Right?

Guitar Thumb Position Wrapped Around the Neck

2010-03-15T11:10:00.000-07:00

Much has been said about the correct position of the left hand thumb on the guitar neck. Some schools of thought teach that the thumb should be placed behind and in the middle of the neck always. But many guitar players can be seen wrapping their thumbs around the neck and sometimes even using the thumb to fret notes on the fingerboard. So which is correct?

Correct guitar thumb placement is determined by each individual player plus the technique they're using and the part they're trying to play. For example, the preferred thumb position on guitar for most barre chords is behind the neck. This gets the wrist away from the neck and allows the fingers to reach across the fretboard. This also works well for playing chord shapes and scale patterns that require the fingers to stretch wide horizontally.

But for bending strings the thumb is usually always wrapped around the guitar neck. This puts the hand in a better position to squeeze the muscles necessary for pushing or pulling the strings. Also, the wrapped thumb can help mute unwanted noise from the other strings.

Sometimes the thumb is actually used to fret notes. Jimi Hendrix was famous for fretting bass notes along the sixth string with his thumb and then using his remaining fingers to play chord fragments, riffs and solos. Many fingerstyle guitar players also use their thumbs to play bass notes ala Merle Travis and Chet Atkins. Some chord shapes are simply not possible without the use of the left-hand thumb.

There has been a long tradition in some music circles to teach that the use of the left hand thumb is incorrect. This is especially true in classical and jazz. But this myth has been demonstrate to be false by everyone from Eric Clapton to Les Paul, and Stevie Ray Vaughan to John Mayer. In fact, almost every pop, rock, blues, folk and country guitar player wraps their thumb from time to time.

You can even seen pictures of Andres Segovia with his thumb poking up behind the guitar neck.

And upright bass players bring their thumb around the neck the other way and use it to fret when reaching for high notes.

Using the left hand thumb is necessary for some types of guitar techniques and feels quite comfortable to many players. Technically, there is no correct way to play. Just be sure that whatever you do feels right and sounds good.

Kiss Me Guitar Chords

2010-03-04T09:52:00.000-08:00

The song Kiss Me by Sixpence None The Richer was featured last night on American Idol. I used to play this song years ago when I performed as an acoustic guitar duo with a female singer named Michelle Enix. I happen to have a live recording and pic from those days that I posted below.

Guitar Chords
The chords to this song make for a good guitar lesson on using chord extensions. Both dominant and major seven chords are used. I don't know if my version matches the original recording or not, but I play it with a capo at the first fret starting on an open D chord. All the chords are available in guitar tab below.

Kiss Me Guitar Tabs

Verse (CAPO II)
D Dmaj7 D7 Dmaj7 (repeating and finishing the verse on G)

E----2----2----2----2----|----2----2----2----3--------|
B----3----2----1----2----|----3----2----1----3--------|
G----2----2----2----2----|----2----2----2----0--------|
D----0----0----0----0----|----0----0----0----0--------|
A------------------------|-------------------2--------|
E------------------------|-------------------3--------|

Chorus (CAPO II)
Em A D Bm, Em A D D7, Em A D A/C# Bm A G Gmaj7 A Asus4 A 

E----0----0----2----2----0----0----2------------------|
B----0----2----3----3----0----2----3----3-------------|
G----0----2----2----4----0----2----2----5-------------|
D----2----2----0----4----2----2----0----4-------------|
A----2----0---------2----2----0---------5-------------|
E----0-------------------0----------------------------|

E----0----0----2---------2----0----3--2---------------|
B----0----2----3----2----3----2----3--3----2--3--2----|
G----0----2----2----2----4----2----0--0----2--2--2----|
D----2----2----0----2----4----2----0--0----2--2--2----|
A----2----0---------4----2----0----2--x----0--0--0----|
E----0-----------------------------3--3---------------|

Guitar Theory
To learn more about chord extensions see Fretboard Theory Chapter 10.

Part 3 Amie Guitar Lesson

2010-02-27T09:31:00.000-08:00

In case you missed it there are 3 parts to my Amie Guitar Lesson video. I don't have guitar tab for this song, but I slow everything down and explain all the licks and phrases. This lead guitar solo is suitable for intermediate and advanced level players only.

If you're just getting started with guitar scales and soloing I recommend that you be careful not to get ahead of yourself. Instead, check out the free preview to my DVD Getting Started with the Pentatonic Scale.

Part 3 Amie Guitar Lesson at YouTube

By the way, my dentist recorded this for himself during a private lesson (we used to barter for services back when I still taught). If you're in need of good dental work visit Dr. Kozy's website at: Cosmetic Dentist Toledo

Part 2 Amie Guitar Lesson

2010-02-26T09:42:00.000-08:00

Part 2 of my Pure Prairie League Amie guitar lesson video teaches the acoustic guitar solo in the middle of the song. This lead includes A major pentatonic scale patterns mixed with other scales and keys. It uses some of the guitar theory discussed in my previous blues chord progression blog post.

Sorry, NO TAB is available.

Part 2 Amie Guitar Lesson at Youtube

For more information about music theory for guitar visit my website where you can download free book and DVD previews.

Amie Guitar Lesson Pentatonic Scale Songs

2010-02-25T08:05:00.000-08:00

"Amie" by Pure Prairie League is a great example of using A major pentatonic scale patterns for guitar. This free video guitar lesson covers the lead guitar solo at the beginning of the song and discusses guitar theory and technique.

Sorry, but NO TAB is available.

Amie Guitar Lesson at YouTube

To learn more about pentatonic scales for guitar download a free preview of the DVD Getting Started with the Pentatonic Scale.

Guitar Theory Lessons Online at Twitter

2010-02-18T12:27:00.000-08:00

I use my guitar forum, blog, and Twitter page to answer questions and post links to free guitar theory lessons. I'm also on Facebook and Myspace networking and chatting with guitar playing friends. Join me online today and start receiving updates about my online activity. Also, feel free to send me your comments and questions.

How Guitar Players Solo Over Chord Changes

2010-02-10T08:34:00.000-08:00

Lead guitar players choose scales and play solos over chord changes a few different ways. Options include using pentatonic scale patterns, major scale patterns, or a combination of both. Also, you can follow just the root chord in a progression, the entire progression as a whole, or each chord individually.

Pentatonic Scale Patterns
Using pentatonic scales requires that you identify the root chord in a progression. The root is the tonal center of a song that everything revolves around and where everything ultimately resolves. After you identify the root chord you can play a corresponding pentatonic scale over the whole progression.

For example, the lead guitar solo to "Stairway to Heaven" by Led Zeppelin is played over the chords, Am, G and F. The Am is functioning as the root and so you can play A minor pentatonic scale patterns over the whole progression.

The lead guitar solo to "Sweet Home Alabama" by Lynyrd Skynyrd is played over the chords, D, C and G. The G is functioning as the root and so you can play G major pentatonic scale patterns over the whole progression.

An exception to this rule occurs in music styles with a blues flavor. Blues songs can break the rules a bit by using minor pentatonic scales over major chords (or dominant seven chords).

Major Scale Patterns
Using major scales requires knowledge of guitar chord progressions and playing by numbers. This is because you must identify the parent key that ALL chords in a progression fit into then play that corresponding major scale.

For example, the Am, G and F chords in the "Stairway to Heaven" solo only occur all together in the key of C. So you can use C major scale patterns over the whole progression (a.k.a. Am which is the relative minor). The D, C and G chords in "Sweet Home Alabama" only occur all together in the key of G. So you can use G major scale patterns over the whole progression.

Combining Pentatonic and Major Scale Patterns
The two song examples above use pentatonic and major scales that happen to correspond to each other but this isn't always the case. Sometimes the correct scales to use for soloing are one type of pentatonic and another type of major scale. For example, "Oye Como Va" by Santana uses Am pentatonic and G major scale (a.k.a. Dorian mode). "No Rain" by Blind Melon uses E major pentatonic and A major scale (a.k.a. Mixolydian mode). Once you figure out the correct scales to use for soloing you can play some of both or combine the patterns together.

Playing Over Key Changes
Sometimes the root of a song will change. If this occurs, then you must follow by changing the pentatonic scale to match. Also, sometimes the chords in a song won't all fit together into one key. When this occurs you have to break the progression up into chord groups that each fit into one key and then play the corresponding major scales over each key.

Outlining a Chord Progression
Pentatonic scales can also follow each chord change. So if you're playing a progression based on Am, G and F, then you can play Am pentatonic over Am, G major pentatonic over G, and F major pentatonic over F. This requires a lot of quick thinking because you must reorient yourself into new patterns each time the chord changes.

Music Theory for Guitar
As you can see, knowing your options when it comes to playing over changes requires you understand music theory for guitar. The more you know how things go together and what your options are the better you'll understand the music you play and create your own compositions and improvisations.

Can I Download Your DVDs?

2010-01-28T08:39:00.000-08:00

One of the biggest requests I receive is to offer my guitar theory DVDs as digital downloads.

I think guitar players are interested in being able to access the DVD content instantly at a cheaper rate and without waiting for them to be delivered in the mail or pay for shipping.

Guitar players who live outside of the U.S. have to wait much longer for physical delivery and pay much more shipping. Obviously, a video-on-demand style format would be a great option.

I'm still trying to figure out the best way to do this. iTunes offers video content as digital downloads but has not accepted my programs yet. Perhaps you can help to persuade them.

You can make iTunes video requests at the link below. Be sure to include my contact info and the title of one or all of my discs.

iTunes Request Form
http://www.apple.com/feedback/itunes.html

Desi Serna Guitar-Music-Theory.com
Getting Started with the Pentatonic Scale DVD
CAGED Template Chord System DVD
Guitar Chord Progressions & Playing By Numbers DVD
Guitar Modes - The Modal Scales of Popular Music DVD

If there's enough demand, then my DVDs will surely be added soon (and new programs released in the future can be available in this format too). If this is important to you then please complete the request now. Thanks.

Guitar Chord Melody

2010-01-20T10:29:00.000-08:00

Guitar chord melody utilizes chord forms, inversions, voicings, & scale patterns in all positions. http://bit.ly/7m2oWX

Minor & major pentatonic scales are the same notes & patterns. The difference is which note is functioning as the root. http://bit.ly/7c98pm

Comment? Question? Join the discussion.

Guitar Riffs

2010-01-18T06:36:00.000-08:00

And the greatest guitar riff ever is ... http://bit.ly/5Z1LCd

Rock's greatest riffs: The memorable ones grab you and pull you into a song: http://bit.ly/6JNrPJ

How to Use Scales for Bass

2010-01-14T11:17:00.000-08:00

"I have always just been a bass player that played the notes for the chord, but after watching your pentatonic scale dvd and reading Fretboard Theory I can see there's so much more to do. If I'm playing a song in the key of G can I play the G major scale up and down the 5 patterns and sound ok?"

Music theory for bass is applied a little differently than music theory for guitar. This is because bassists are expected to establish the roots or tonal center of chords. Most of the time this consists of the actual root of the chord which is why many bass players don't think much beyond roots. But chords include other intervals and bass players can sometimes use the other intervals in place of the root.

For example, you could use a chord's third or fifth. You can see a list of bass songs that use all three intervals in Fretboard Theory page 86 Triads. When alternating between a chord's intervals you'll usually need to play the root first in order to establish the correct tonality. But on occasion bass players start chords on other intervals.

When playing a chord change, once the root has been established bass players have an opportunity to either play another interval from the chord or play a bit in an appropriate scale pattern. A good example of this is the song "Brown Eyed Girl" by Van Morrison. The bass always plays the root of each chord first, then follows with triad and scale movement leading to the next chord. It's a must learn song for bass players.

Other times songs are not based on chord changes but center around a single root. A good example of this is the song "Lowrider" by War. Everything centers around G using a blues mixture of minor pentatonic and mixoydian mode. The bass simply repeats a G minor pentatonic riff throughout the whole song. There is room for the bass to improvise with the scale, but it needs to get back to the root at the beginning of the 2 bar phrase in order to maintain the tonal center of the song.

Why Does the Pentatonic Follow the Root Chord But Major Scales Do Not?

2010-01-11T06:33:00.000-08:00

As explained in Fretboard Theory, in order to apply major scales properly you must examine a whole chord progression and determine which key all the chords fit into together. Then you can play that major scale over the whole chord progression. But when applying the pentatonic scale, you only need to identify the root chord (tonal center) in the progression and then play a pentatonic key that corresponds to it. Why do you play the pentatonic based off only the root of a song and not the whole key or parent major scale? Why is the pentatonic so special that this works?

The pentatonic scale can follow the root chord because it includes scale degrees common to all possible major scale modes. For example, let's say you have a progression revolving around a C major chord. Well, depending on the other chords involved the C could be the first (Ionian), fourth (Lydian) or fifth (Mixolydian). Each of these modes are slightly different and produce different chords, but they all include the notes in the C major pentatonic.

C D E F G A B - C Ionian (C is chord I in the key of C)

C D E F# G A B - C Lydian (C is chord IV in the key of G)

C D E F G A Bb - C Mixolydian (C is chord V in the key of F)

C D E G A - C major pentatonic

The same thing happens in minor keys. If you're playing a chord progression that revolves around an A minor then the three possible major scale modes are Dorian, Phrygian and Aeolian.

A B C D E F# G - A Dorian (Am is chord ii in the key of G)

A Bb C D E F G - A Phrygian (Am is chord iii in the key of F)

A B C D E F G - A Aeolian (Am is chord vi in the key of C)

A C D E G - A minor pentatonic

You can see that the pentatonic scale is missing the intervals that complete the whole major scale. These same missing scale degrees are what make the modes different. Without them there is no conflict regardless of mode. In fact, if a chord progression changes keys (parent major scale/mode) but still revolves around the same chord, then you can still play the same pentatonic scale over it without needing to consider the key changes.

For example, "Moondance" by Van Morrison has a section based on A Dorian and another section based on A Aeolian. If you want to play full major scale patterns then you'll need to switch keys. But since both sections revolve around the same Am chord you can continue to play A minor pentatonic scale patterns.

Pentatonic scale patterns are easier to apply and require less thought or music theory knowledge for the reasons explained above. This shouldn't be considered a bad thing because often times the sound of the pentatonic scale is a better choice. But a smart guitar player will also understand how to use and apply major scale patterns and modes. Sometimes it's the more complicated approach that sounds best. Use your own judgment.

Roots, Keys and Applying Scales

2010-01-07T08:24:00.000-08:00

As I teach in Fretboard Theory Chapter 7 (Roots, Keys and Applying Scales), you must identify the one major scale that the whole progression stems from in order to know what major scale to use for melody, riffs, and solos. But the pentatonic needs only to correspond to the root chord in a progression.

Major Scale Patterns
For example, the guitar solo in the acoustic version of "Layla" by Eric Clapton uses the chords Dm, Bb and C with Dm functioning as the root (where everything leads to and resolves). These three chords together can only fit into the F major scale. So you can play F major scale patterns over the whole progression.

Pentatonic Scale Patterns
Since Dm is the root chord, you can play Dm pentatonic over the whole progression as well. In fact, the pentatonic notes are all in the major scale. So the pentatonic is really just the major scale minus two intervals (in this case the 2nd and minor 6th). But guitar players visualize and play in pentatonic and major scale patterns differently. This is why we have names for the two and they're taught differently.

Clapton's approach to this solo section is a combination of both. Some of his phrases are based on full major scale patterns while others are in typical pentatonic boxes.

Music Theory For Guitar
Of course, there are more options to choosing scales for solos but what I've outlined above is what is generally done most of the time. Be sure that you completely understand this guitar theory and have mastered applying these concepts before you explore more complicated ideas.

Why do some songs not fit into any one key?

2010-01-06T08:04:00.000-08:00

Anything goes in the world of music composition. Many artists play solely by ear by piecing ideas together through trial and error. But there are fundamental concepts that underlie all music like scales, chords, progressions, modes, etc.

If a song doesn't all fit into one key, then it's a combination of different keys. Sometimes this is thought of as borrowing elements from other keys. In this case, you have to break the song down and separate it into pieces that each fit into a key.

Another possibility in this type of situation is the usage of scales beyond the pentatonic and major scale patterns I teach. For example, the harmonic minor and melodic minor scale. But you need to understand pentatonic and major scale theory first as advanced concepts stem from them.

Going through this trouble to understand a song's construction is not usually necessary in styles that don't require much melody or harmony. For example, some heavy metal riffs are simply based on chromatic movement or rhythmic noise. It can be kinda pointless to try and connect these things to some sort of structured guitar theory.

2009 Year in Review

2009-12-25T06:48:00.000-08:00

I knew 2009 was going to be a good year when my beloved Pittsburgh Steelers won the Super Bowl. I've been a fan since I was child. My earliest memories are of watching them win in the 70's. I suffered through many bad seasons in the 80's and many disappointments in the 90's. It makes the championships now all the more sweet.

I turned 35 in March which also marked my 21st year of guitar playing. I never wanted to be a rock star. I just wanted to make a living playing guitar. Thousands of gigs, lessons, books and videos later I'd say I made it!

I find it humbling to realize that my music career is dependent upon all the people who work real jobs. In a sense I'm a kind of freeloader. We need farmers, construction workers, doctors and nurses before we need artists and musicians. We need clean water and electricity before we need guitar lessons. Entertainment is a luxury that is made possible only after the necessities of life are taken care of. And the whole industry relies upon ordinary workers who have the discretionary income to support it. Musicians, artists and entertainers ought not let their talents go to their heads. We're not as important as we think.

One of the freedoms of my job is that I can fill orders from anywhere. My wife, daughter and I always take trips during the summer with boxes of books and DVDs in tow. This past summer we visited Niagara Falls. Although I have always lived within 5 hours of one of the great wonders of the world I had never seen it. It was spectacular.

I don't gig anymore and have no desire to get back into it. The thought of going back to the bars, clubs and parties makes me want to vomit (which I saw plenty of back in the day. Even hurled at the gig a few times myself.) But I can understand why many people enjoy it. I guess I just had too much of a good thing. These days my only live playing is at church. It's a privilege to serve in a music ministry that honors God (especially considering all of the dis-honoring I participated in before).

Consider this: Music is not something we create ourselves, but rather it's something that has already been made for us and we simply discover it (if we've been given the gift). Think about it.

I recently finished reading the Old Testament beginning to end. It was a project that I started earlier this year. It required a lot of discipline and was tedious at times. I can't believe how fickle and foolish the Israelites were despite being privy to God's miracles, revelations and blessings. And the story is left incomplete because sin was not eliminated as God had promised. He says he's sending someone. Perhaps setting things up for a sequel?

I really enjoy getting outside and easing my mind with recreational activity. This past fall I finally felt comfortable enough on my quad to loft myself into the air on it. Fun!

What will 2010 bring? Hopefully a new book or DVD. I just need to figure out how to create more time to complete the projects I'm working on. Unfortunately, filling orders, answering emails, and blogging take up most of my work day. I still do most work myself. It may be time to hand some things over to others.

Oh, and I hope to start practicing my guitar on a regular basis again. Use it or lose it!

Merry Axe-Mas and Happy New Gear!

Brown Eyed Girl Intro Tab

2009-12-16T10:43:00.000-08:00

The guitar introduction to "Brown Eyed Girl" by Van Morrison features major scale patterns played in thirds. The first phrase is played over a G major chord and uses the G major scale starting with G at the 12th fret of string 3. The second phrase is played over a C major chord and uses the C major scale starting with C at the 13th fret of string 2. The very last phrase is part of a D major barre chord and requires a bit of finger or hybrid (pick and finger) picking.

Brown Eyed Girl Intro Tab


E--------------------------12--13--15--13--12---------|
B----12--13--15--13--12----13--15--17--15--13---------|
G----12--14--16--14--12-------------------------------|
D-----------------------------------------------------|
A-----------------------------------------------------|
E-----------------------------------------------------|

E-----------------------------------------------------|
B----12--13--15--13--12----10----------10-------------|
G----12--14--16--14--12--------11--12-----------------|
D--------------------------12-------------------------|
A-----------------------------------------------------|
E-----------------------------------------------------|

Playing major scale patterns in thirds is covered in Fretboard Theory Chapter 9: Intervals.

Confused About Guitar Modes

2009-12-09T07:43:00.000-08:00

Why am I having a hard time understanding modes and modal guitar scales?

Guitar modes is a very misunderstood topic. The reason is because it's a music concept that stems from others. If you don't know the others, then you're not going to get it.

If you truly want to understand music modes and how they relate to popular music and guitar playing, then I suggest you first study chord progressions and playing by numbers. I cover this in Fretboard Theory Chapter 6. I also have a DVD entitled Guitar Chord Progressions and Playing by Numbers.

Also, modes are based on major scale patterns for guitar (which are taught in Fretboard Theory Chapter 5). Make sure you understand how to cover the whole guitar fretboard with major scale patterns and can play major scale songs.

After you have developed a good working knowledge of chord progressions and major scale patterns you'll be ready to explore the modal scale concept (which I have covered in the book and on DVD). I actually get you started on it in chapter 7 which is about roots, keys and applying scales (the heart of guitar modes). But I don't put it into modal terms until chapter 8.

With learning music theory for guitar, it's critical to completely master the fundamentals before venturing into more complicated and advanced subjects. Be sure to take things one step at a time as each concept prepares you for the next. Walk before you run!

Roxanne CAGED Chords and Guitar Tabs

2009-12-03T08:08:00.000-08:00

"Roxanne" by The Police is a great example of using partial major and minor shapes based on the CAGED guitar chord system. This song also includes suspended 4 chords. See the Roxanne chords and guitar tabs below.

Opening Verse Chord Progression
Gm ("Em form")
Dm ("Dm form")
Gm ("Dm form")
F ("C form")
Eb ("C form")
Fsus ("E form")
Gsus ("E form")


E----3----1----6----5----3----1----3------------------|
B----3----3----8----6----4----1----3------------------|
G----3----2----7----5----3----3----5------------------|
D-------------------7----5----3----5------------------|
A-----------------------------------------------------|
E-----------------------------------------------------|

To learn more about the guitar CAGED system see Fretboard Theory Chapter 3 or the CAGED Template Chord System DVD. Chord extensions such as sus4, maj7, and add9 are covered in Fretboard Theory Chapter 10.

Guitar 7sus4 Chords

2009-12-01T10:05:00.000-08:00

"Hard Day's Night" by The Beatles and "Is She Really Going Out with Him?" by Joe Jackson are currently the only songs I know of where the guitar uses this fingering to play a 7sus4 chord. In "Hard Day's Night" it's a G7sus4 and the very first chord you hear before the verse begins. "Is She Really Going Out with Him?" uses the same chord along with an F7sus4 two frets lower during the bridge.


E----3------------------------------------------------|
B----3------------------------------------------------|
G----5------------------------------------------------|
D----3------------------------------------------------|
A----5------------------------------------------------|
E----3------------------------------------------------|

The most common type of 7sus4 chord is A7sus4 played in the open position. You can hear this exact fingering used in "Wish You Were Here" by Pink Floyd, "Tom Sawyer" by Rush, and "Closer I Am to Fine" by the Indigo Girls (capo 2).


E----3------------------------------------------------|
B----3------------------------------------------------|
G----0------------------------------------------------|
D----2------------------------------------------------|
A----0------------------------------------------------|
E-----------------------------------------------------|

To learn more about chord construction, intervals, and chord extensions see Fretboard Theory chapters 6 and 9.

The Difference Between Guitar Thirds and Sixths

2009-11-30T11:13:00.000-08:00

Playing a major scale in thirds is often confused with sixths on guitar. This is because thirds are often inverted on the fretboard with the third in the lower, or bass, position and the root on top. When this occurs the interval appears to be a sixth because you're looking at it backward.

The guitar tab below illustrates a G major scale played along the string 2 (B) with third intervals following over on string 1 (E). Shapes like this are used in songs such as "Heaven" (intro) by Los Lonely Boys, "Wanted Dead or Alive" (intro) by Bon Jovi, and "Tequila Sunrise" (solo) by The Eagles.


E----7---8-----10-----12-----14-----15-----17-----19--|
B----8---10----12-----13-----15-----17-----19-----20--|
G-----------------------------------------------------|
D-----------------------------------------------------|
A-----------------------------------------------------|
E-----------------------------------------------------|

In the tabs below, the thirds from string 1 (E) have been transposed down an octave and placed on string 3 (G). But if you mistakenly view the notes along string 3 as the roots, then the notes along string 2 appear to be a sixth away. In actuality, these notes are still thirds. The shapes have just been inverted. Shapes like these are used in songs such as "Your Body is a Wonderland" (solo) by John Mayer, "Peace Train" (intro) by Cat Stevens and "Have You Ever Really Loved a Woman?" (verse) by Bryan Adams.


E-----------------------------------------------------|
B----8---10----12-----13-----15-----17-----19-----20--|
G-----------------------------------------------------|
D----9---10----12-----14-----16-----17-----19-----21--|
A-----------------------------------------------------|
E-----------------------------------------------------|

In this final guitar tab example you can see the same notes with the roots on string 1 (E) and the thirds on string 3 (G). Shapes like this are used in songs such as "Brown Eyed Girl" (verse) by Van Morrison, "Patience" (intro) by Guns and Roses and "Finish What You Started" (solo) by Van Halen.


E----3----5-----7-----8-----10-----12-----14-----15---|
B-----------------------------------------------------|
G----4----5-----7-----9-----11-----12-----14-----16---|
D-----------------------------------------------------|
A-----------------------------------------------------|
E-----------------------------------------------------|

So you can see that 3rds on the guitar can take on many different forms. Some of the inverted shapes above are mistakenly referred to as 6ths because guitar players are looking at the wrong note and calling it the root. Using interval shapes for guitar is covered in Fretboard Theory Chapter 9: Intervals.

The Choicest Bounties of Heaven

2009-11-26T09:02:00.000-08:00

"We have been the recipients of the choicest bounties of Heaven. We have been preserved, these many years, in peace and prosperity. We have grown in numbers, wealth and power, as no other nation has ever grown. But we have forgotten God. We have forgotten the gracious hand which preserved us in peace, and multiplied and enriched and strengthened us; and we have vainly imagined, in the deceitfulness of our hearts, that all these blessings were produced by some superior wisdom and virtue of our own. Intoxicated with unbroken success, we have become too self-sufficient to feel the necessity of redeeming and preserving grace, too proud to pray to the God that made us!" -ABRAHAM LINCOLN

Serenade Steve Miller Guitar Tabs G Major 7 Chord

2009-11-24T11:32:00.000-08:00

The song "Serenade" by Steve Miller Band is a great example of using a major 7 guitar chord. You can hear a G major seven played in the open position at 0:53 in the video below.

http://www.youtube.com/watch?v=vPsdlso6-X8

The chords to this section, which begins at 0:51 are G, Gmaj7 and Am. These chords are notated for guitar in the tab below.


E----3----2----0--------------------------------------|
B----0----0----1--------------------------------------|
G----0----0----2--------------------------------------|
D----0----0----2--------------------------------------|
A----2----x----0--------------------------------------|
E----3----3-------------------------------------------|

The verses to this song use the chords Am, F and G as notated in the tabs below.


E----0----1----3--------------------------------------|
B----1----1----0--------------------------------------|
G----2----2----0--------------------------------------|
D----2----3----0--------------------------------------|
A----0---------2--------------------------------------|
E--------------3--------------------------------------|

To learn more about major seven chords for guitar, including which popular songs use them, see Fretboard Theory Chapter 10: Chord Extensions.

Diminished Chord Songs and Guitar Theory

2009-11-18T10:57:00.000-08:00

A full diminished guitar chord is based on all minor third intervals. It consists of a root, minor third (b3), flat fifth (b5th) and double flat 7 (bb7th). For example, a Bdim chord includes the notes B D F and Ab. Each note is a minor third, or three frets, above the note before it. And B is a minor third above Ab to complete and repeat the formula. The notes of a Bdim guitar chord can be seen in the tabs below.


E-----------------------------------------------------|
B-----------------------------------------------------|
G-----------------------1---------1----------1--------|
D---------------------3-------0-3----------3----------|
A--2-5-8-11-14----2-5-------2------------5------------|
E--------------------------------------7--------------|

Diminished Chord Fingerings
In order to combine these notes and make a chord shape you have to transpose some intervals up an octave. Three of the most common diminished chord fingerings can be seen in the guitar tab below.


E------------10---------------------------------------|
B--3----6----9----------------------------------------|
G--1----7----10---------------------------------------|
D--3----6----9----------------------------------------|
A--2----x---------------------------------------------|
E-------7---------------------------------------------|

Diminished Chord Inversions
The neat thing about guitar diminished chords is how their inversions are formed on the fretboard. Since diminished chords are built on fixed minor third steps, you can simply slide any diminished chord fingering up 3 frets for an inversion. Move the same chord fingering up 3 frets again and you have the next inversion, and so on until you match the first position exactly one octave higher.

Diminished Chord Guitar Theory
If you know anything about guitar music theory, then you know that true diminished chords do not fully occur in the major scale. The closest you come is the seventh chord (see Fretboard Theory Chapter 6 Guitar Chord Progressions and Playing By Numbers). This scale degree has three of the four notes needed to build a full diminished chord. It has the root, minor third (b3), flat fifth (b5th), but no double flat 7 (bb7th). But many musicians refer to this as a diminished chord anyway. Other names include diminished triad and half-diminished.

Diminished chords also have many abbreviations. For example, 0, 07, dim, dim7, o, º, º(7), o7, º7. Unfortunately, some things are arbitrary. It can really get confusing to keep track of whether or not diminished means the four-note/all-minor-thirds form or the seventh degree of the major scale with its b7.

Diminished Chord Songs
The diminished chord gives us an unstable and restless chord that wants to lead to or resolve on something else. For this reason it's often thought of as a "leading chord". It acts like a stepping stone between chords. You can hear diminished chords used in popular songs like "Michelle" and "Glass Onion" by The Beatles, "Man In The Mirror" by Michael Jackson, "Crazy" by Willie Nelson/Patsy Cline, and "Don't Look Back In Anger" by Oasis.

For more diminished chord songs visit: http://chordmine.com

Jazz Guitar Chord Progression
Diminished chords are more common in jazz. Try this jazz chord progression: Bb Bdim Cm7 F7


E------------3----1-----------------------------------|
B--3----3----4----1-----------------------------------|
G--3----1----3----2-----------------------------------|
D--3----3----5----1-----------------------------------|
A--1----2----3----3-----------------------------------|
E-----------------1-----------------------------------|

Learn more about music theory for guitar including scales, chords, progressions, modes and more.

Holy Holy Holy Guitar Tabs

2009-11-09T08:41:00.000-08:00

http://blip.tv/file/2826572

"Holy Holy Holy" is a traditional Christian hymn and praise and worship song. This is a fingerstyle chord melody version for intermediate and advanced guitar players with finger picking experience. It's a great lesson on how to use shapes and inversions based on the CAGED Guitar Chord system.



   D     Bm    A  A7 D     G           Em7 D/F#
E--------2--2--5-----2-----7---7---7---7--------------|
B--3--3--3--3--5--8--3-----8---8---8---8--10--7-------|
G--2--2--4--4--6--6--2-----7---7---7---7--7---7-------|
D--0--0-----------7--0--------------------7---7-------|
A--------2--2--0--0--------10--10--10--7--9---9-------|
E-----------------------------------------------------|

   A     D A/C# Bm E7  A   D   A     E7     A   A7
E--------------10--10--9----------5--7----------------|
B--5--5--7-----7---9---10--10--5-----9--10--10--5-----|
G--6--6--7--9--7---9---9---11--6-----7------9---6-----|
D--7--7--7--7------------------7------------11--5-----|
A--0--0--5-------------0-------0------------0---0-----|
E-----------9--7---0-----------------0----------------|


   D     Bm    A  A7 D     G           Em7 D/F#
E--------2--2--5-----2-----7---7---7---7--------------|
B--3--3--3--3--5--8--3-----8---8---8---8--10--7-------|
G--2--2--4--4--6--6--2-----7---7---7---7--7---7-------|
D--0--0-----------7--0--------------------7---7-------|
A--------2--2--0--0--------10--10--10--7--9---9-------|
E-----------------------------------------------------|


   Bm  D/F#    G   D     G/B   A     D
E--10----------7--------------------------------------|
B--7---10--10--8---7-----8--5--5--3--3----------------|
G--7---7---7---7---7-----7-----6-----2----------------|
D------7---7-------7-----5-----7-----0----------------|
A------9---9---10--5-----------0----------------------|
E--7------------------8--7----------------------------|

In Christ Alone Christian Guitar Tab Lessons Pentatonic Songs

2009-11-05T08:45:00.000-08:00

http://blip.tv/play/AYGs7k4C

"In Christ Alone" was written by Stuart Townsend and made famous by Travis Cottrell and many other Christian praise and worship music performers. This song features an opening guitar riff played in the E major pentatonic scale pattern 1. It's suitable for beginner and intermediate level players who are learning how to use guitar scales and play pentatonic songs.

E-----------------------------------------------------| B---------------------9-------------------------------| G---------9--11----------11---9-----------------9-9---| D--9--11------------------------11------9--11---------| A-----------------------------------------------------| E-----------------------------------------------------| E-----------------------------------------------------| B-----------------------------------------------------| G---------9h11---11/13\11--p9-------------------------| D--9h11-----------------------11------9p11/14--14-----| A-----------------------------------------------------| E-----------------------------------------------------|

This version is played and tabbed in the key of E major, but the pentatonic riff can be shifted to other keys. Although not included in the guitar tab, the vocal melody is mostly based on the same E major pentatonic scale and even starts on the same few notes as the riff. Try it!

Play Until Yer Fingers Bleed!
Mr. Desi Serna
Website: http://Guitar-Music-Theory.com
YouTube: http://youtube.com/GuitarMusicTheoryTab
Twitter: http://twitter.com/MrGuitarTheory
Facebook: http://facebook.com/desi.serna
Myspace: http://www.myspace.com/guitarmusictheory
Podcast: Search Desi Serna at iTunes

Guitar Bar Chords and Sore Hand Muscles

2009-11-02T14:00:00.000-08:00

My books and DVDs focus on music theory for guitar but I frequently get emails from guitar players complaining about sore hands, especially when fretting barre chords. If you're experiencing muscle or joint pain while playing guitar, then I suggest that you find other ways to fret and play things so that your muscles are not being stressed the same way all the time.

For example, I sometimes play barre chords by wrapping my thumb around the neck (Jimi Hendrix style).

This puts my wrist and hand in a totally different position. I find it a relief especially after playing barre chords in the traditional manner for several minutes. When my hand tires I switch back. I couldn't make it through some songs without doing this.

Little tricks like this can help give some parts of your hand a break while you use other parts. Learning how to avoid situations where your hand endures pressure for too long in one place is critical to building your endurance and playing pain free.

Play Until Yer Fingers Bleed!
Mr. Desi Serna
Website: http://Guitar-Music-Theory.com
YouTube: http://youtube.com/GuitarMusicTheoryTab
Twitter: http://twitter.com/MrGuitarTheory
Facebook: http://facebook.com/desi.serna
Myspace: http://www.myspace.com/guitarmusictheory
Podcast: Search Desi Serna at iTunes

Learn How to Improvise, Play Guitar Solos & Create Your Own Style

2009-10-30T08:21:00.001-07:00

One of the most common questions guitar players ask is, "How do you learn how to improvise, pick your own licks and phrases?" The answer is to learn songs. That's why I include so many song references in my guitar theory book and videos. Each guitar riff, solo and bass line you learn will teach you something new about picking and phrasing. After you develop some common guitar technique, and a good repertoire of licks, you can begin to rearrange phrases in your own order.

Is Copying Cheating?
Some guitarists feel that this approach is simply copying and not a legitimate way to create an original style. Nothing could be further from the truth. You'll never develop lead guitar technique or understand how to use and apply scales correctly without first learning some examples by other players.

Stevie Ray Vaughan & Albert King
Why do people say you can hear Albert King in Stevie Ray Vaughan's playing? Because SRV learned how to phrase by first copying what he heard on King's records. That's how all great guitar players got started and developed their style.

Eric Clapton "Hideaway"
To help further demonstrate my point, listen to this very early recording of Eric Clapton playing the song "Hideaway" with John Mayall's Blues Breakers.
http://www.youtube.com/watch?v=25ICK4Uqv7o

Freddie King "Hideaway"
Now listen to the original version of "Hideaway" played by Freddie King.

Note-For-Note
Did you notice that Eric Clapton copies many of Freddie King's phrases note-for-note? And Freddie King is just one of Clapton's many influences. Eric Clapton spent his early years listening to, learning and practicing licks and phrases by other guitar players. Is it any wonder that he has become so proficient? Do you honestly think that you can skip this step and progress to the same level? Think again!

Why Reinvent the Wheel?
If you want to develop good technique, draw from a good arsenal of licks and phrases, and become a good improvisor then you absolutely must learn songs and copy other players. There's no short cut to getting good. This process requires patience, hard work, dedication, and lots of practice. In time you'll start to rely less on copying and more on your own creativity. This will ultimately lead to you composing and improvising in your own unique style.

Play Until Yer Fingers Bleed!
Mr. Desi Serna
Website: http://Guitar-Music-Theory.com
YouTube: http://youtube.com/GuitarMusicTheoryTab
Twitter: http://twitter.com/MrGuitarTheory
Facebook: http://facebook.com/desi.serna
Myspace: http://www.myspace.com/guitarmusictheory
Podcast: Search Desi Serna at iTunes

Play guitar and sing at the same time

2009-10-19T08:26:00.000-07:00

How can I learn to play guitar and sing at the same time?

Singing and playing guitar can be tricky for a beginner but it's not impossible. A sense of good timing, rhythm and ability to combine two actions at once will come with practice and dedication. My website, books and DVDs focus on music theory for guitar with very few references to technique. But there is a great article posted on WikiHow that outlines a good method for developing the ability to strum guitar and sing at the same time. I suggest you try working through their steps.

http://www.wikihow.com/Play-the-Guitar-and-Sing-at-the-Same-Time

Play Until Yer Fingers Bleed!
Mr. Desi Serna (Google me!)
http://www.Guitar-Music-Theory.com
Pentatonic/CAGED/Progressions/Modes

Guitar Chord Progressions and Secondary Dominant Major 2 Chord

2009-10-14T08:51:00.000-07:00

"Why do some guitar chord progressions have a major second chord when it should be minor? What is a secondary dominant?"

If you know anything about guitar music theory you know that building chords from the major scale produces the following chord sequence:

1. I major
2. ii minor
3. iii minor
4. IV major
5. V major
6. vi minor
7. vii minor (flat five)

But songs with major two chords are fairly common on guitar. The songs listed below are just a few examples:

"That'll Be The Day" Buddy Holly - Key of A but includes a B major 2 chord.
"Hey Good Looking" Hank Williams - Key of C but includes a D major 2 chord.
"Patience" Guns and Roses - Key of G (gtr. tuned down 1/2 step to Eb) but includes an A major 2 chord.
"Out of My Head" Fastball - Key of E but includes an F# major 2 chord.

A major 2 chord is actually a key change and stems from the music theory behind a functioning dominant seven chord. A dominant seven chord (which can be referred to as simply 7) is a major chord with a flat seven interval. This occurs naturally on the fifth scale degree in a major scale. The dominant seven 5 chord has a bit of tension that leads to and resolves on 1 (the 'tonic' in a major scale). For example, in the key of G a D7 chord leads to and resolves on G. D is said to be the 'dominant' of G major. In fact, D can lead to G whether or not the guitar chord actually has the seventh interval in it.

"Hey Good Looking" by Hank Williams is in the key of C and normally has a D minor chord, but the song uses a D major instead which creates a strong pull to G. When playing this song on guitar you're in the key of C but you're borrowing the dominant from the key of G in order to produce the dominant pull to and resolution on G. Get it? This is said to be a 'secondary dominant' chord and is a composition technique that can be used in any key. So the song examples I used can be explained like this:

"That'll Be The Day" B major is the dominant of and leads to E.
"Hey Good Looking" D major is the dominant of and leads to G.
"Patience" A major is the dominant of and leads to D.
"Out of My Head" F# major is the dominant of and leads to B.

You can create secondary dominant movement for any chord in a key. Just remember that it's a type of key change so the scale you play over it with should follow. This is important when learning music theory for guitar.

Blues Chord Progression

2009-10-01T08:40:00.000-07:00

"Is an E, A and B blues chord progression 1 4 5 in the key of E?"

These three chords are indeed 1 4 and 5 in the key of E, but when used in blues there is more guitar theory to understand.

The blues concept is based on dominant seven chords (which unlike major seven chords can simply be called "seven" or "7"). This means that blues vocal melodies, bass lines and guitar solos use intervals and scales that correspond to dominant 7th chords whether or not one of the instruments is physically playing them. So a progression with the chords E, A and B is treated as if the chords were E7, A7 and B7.

If you know anything about music theory, then you know that only the fifth major scale degree has a major third and flat seventh interval necessary to build a dominant seven chord. So 7th chords only occur once per key. A progression with three different dominant 7th chords is actually three different keys. E7 stems from the key of A (or A major scale). A7 stems from the key of D (or D major scale). B7 stems from the of E (or E major scale). E7, A7 and B7 is actually a 5 5 5 chord progression with each chord produce a key change. But musicians and guitar players refer to this type of blues chord progression as 1 4 5 anyway.

There are a few different ways guitar players can play over this type of blues chord progression.

The first is to ignore the whole progression and simply follow the root chord (where everything begins and resolves). In this case it's E. Since the E chord is base on an E major triad you can play the E major pentatonic scale over it. But blues players also break the rules a bit and play the E minor pentatonic instead. The tension and dissonance that results contributes to the much loved and edgy blues sound. In fact, this minor-over-major approach has become the standard in this style of music and many blues players rely on it alone. But most blues music incorporates the major pentatonic too usually by mixing it together with minor pentatonic patterns.

Another option is to use full major scale patterns. Since the E chord is treated as if it were an E7, and since E7 stems from the A major scale, then A major scales patterns are the correct ones to play. Since the fifth note E is functioning as the root this produces the fifth mode, Mixolydian (a.k.a. "Dominant scale" because it goes together with dominant chords). Full major scale patterns can also be mixed with both major and minor pentatonic patterns. Throw in some chromatic passing tones and you have quite a palette of notes to choose from!

Another option when playing over dominant seventh blues chord progressions is to follow the key changes with the scales you play. So when the progression goes to A, play A major and minor pentatonic and A mixolydian mode (D major scale patterns). When the progression is on B7 play B major and minor pentatonic and B mixolydian mode (E major scale patterns). Switching scales like this can be tricky and many blues players prefer a simpler approach. But country and jazz players, who are usually more trained in music theory for guitar, love this challenging method of playing.

Circle of Fifths Guitar Theory Lesson

2009-09-23T08:44:00.000-07:00

The circle of fifths is a geometrical representation of key signatures used in writing traditional musical notation. For modern guitar players interested in developing a working knowledge of music theory that can be applied specifically to the fretboard the circle of fifths is less useful. But if you insist on exploring the idea you can easily map out the fifth cycle on the guitar neck with patterns.

Guitar players can play the circle of fifths by using the patterns taught in Fretboard Theory Chapter 6 Chord Progressions and Playing By Numbers (and also in the DVD program entitled Chord Progressions and Playing By Numbers). You can start in any key but I'll begin with the key of F using chord pattern 1 beginning at the 1st fret of string 6.

The 5 chord in the key of F is C.
Now switch keys to C and use chord pattern 2 beginning with C at the 3rd fret of string 5.
The 5 chord in the key of C is G.
Now switch to the key of G.

The 5 chord in the key of G is D. Switch to D.

The 5 chord in the key of D is A. Switch to A.

The 5 chord in the key of A is E. Switch to E.

Continue this process until you've cycled through all keys. Reverse it to produce the circle of fourths.

You can hear a chord progression based on this type of movement in the song "Hey Joe" by Jimi Hendrix. The verse progression is all fifths starting on C.

C G D A E

I should point out here that rather than try to follow each key change with a new parent major scale, Hendrix simply played the E minor pentatonic scale over the whole progression for the lead guitar solo. This works because the E minor pentatonic notes are all found in the same keys that also have the chords. The exception is the E major chord. In its case the minor pentatonic gives the major chord a blues flavor.

So the circle of 5ths and the circle of 4ths have limited use in music theory for guitar which is why I left them out of my guitar theory book and DVDs. And if you map out scale patterns and chord progressions properly on the fret board then you already have the concept down.

Natural Talent and Guitar Playing

2009-09-16T10:38:00.000-07:00

Many people who are learning to play guitar are intimidated by the learning process, frustrated with their progress and believe that they lack the natural talent necessary to make music. Is it possible that some people just can't learn how to play guitar? Or do some aspiring players set unrealistic expectations? How can a person know if they're wasting their time or not?

How to Learn Guitar
Getting good at playing guitar requires study, practice and a little creativity. You have to know how something is properly done so that you don't waste your time doing things incorrectly or developing bad habits. You must spend a lot of time with your guitar in hand practicing and playing. You need to find what it is that you can do well and learn how to compensate for your weaknesses. Finally, you need to accept your limitations and embrace what abilities you have been given.

Natural Talent
If you're unable to make progress with certain guitar styles or techniques, then move onto something else that comes more naturally to you. Take advantage of your strengths and accept your limitations. Have you ever seen B.B. King play chords? Not one of his strengths! And Dave Matthews couldn't take a lead guitar solo if his life depended on it. Yet they are both accomplished guitar players in their own right because they have something they can do uniquely well. Don't expect to be able to play everything you want to play. And don't get hung up on things that seem impossible. Instead, make the process a journey to discover what you CAN play.

Armless Guitar Player
There is perhaps no better example of how to succeed at making music when faced with limitations than armless guitarists Tony Melendez. Born without arms, Tony never let his handicap get in his way. Instead he developed proficiency in using his feet. "I was pretty secure in what I could do," he says. What a great attitude. The video below shows just what he can do.

You Can Do It
When there's a will there's a way. Maybe you won't be able to copy licks and phrases by famous guitar players like some other guys can, but that's no reason to give up on the special ability you may have. If you're struggling, perhaps you need to reconsider your expectations and change your approach. A good guitar instructor can make a big difference. And there are plenty of books, DVDs and online guitar lessons that can help too.

Music Theory for Guitar

How to Transcribe Songs

2009-09-08T07:20:00.000-07:00

"Will your Fretboard Theory book help me transcribe songs?"

My guitar theory book and DVDs may not focus on the skill of transcribing specifically, but do teach guitar players how to understand keys, scales, chord progressions and other important musical elements that transcribers use to figure out songs by ear. So if your goal is to better understand the music you play and better anticipate what's happening in the songs you're listening to, then yes Fretboard Theory will help.

How Guitar Players Can Develop Rhythm and Timing

2009-09-04T09:26:00.000-07:00

Guitar players who jump right into reading tab and playing songs often struggle with rhythm and timing. Learning how to read music is great for improving your rhythm and timing skills. This is because you must assign a value (or length) to the notes you play, count everything out and tap your foot. Consider getting a Mel Bay or Hal Leonard beginner series and working your way up to and through whole notes, quarter notes, eighth notes and syncopation (which is about book 2 or 3 in the Mel Bay series). Just learning the beginning levels of standard music notation will often times help guitarists develop enough skill to feel their way through more complicated rhythms. Try it!

Play Until Yer Fingers Bleed!
Mr. Desi Serna (Google me!)
http://www.Guitar-Music-Theory.com
Pentatonic/CAGED/Progressions/Modes

Devil Went Down to Georgia Tab Pentatonic Patterns Blues Scale Songs

2009-08-27T08:23:00.001-07:00

“The Devil Went Down to Georgia” by Charlie Daniels Band has a great minor pentatonic blues scale riff at 1:34. It has been adapted for guitar in three different pentatonic positions in the tabs below. Suitable for beginner to intermediate level guitar players who want to use the scale patterns taught in Fretboard Theory and Getting Started with the Pentatonic Scale DVD.

D minor pentatonic pattern 2

E----------------------------------|

B------------3---------------------|

G------0-1-2---2-1-0---0-1-2---0---|

D--0-3---------------3-------3---3-|

A----------------------------------|

E----------------------------------|



D minor pentatonic pattern 4

E----------------------------------|

B----------------------------------|

G------------7---------------------|

D------5-6-7---7-6-5---5-6-7---5---|

A--5-8---------------8-------8---8-|

E----------------------------------|





D minor pentatonic pattern 1

E--------------------------------------------------|

B--------------------------------------------------|

G--------------------------------------------------|

D-----------------12-------------------------------|

A--------10-11-12----12-11-10----10-11-12----10----|

E--10-13----------------------13----------13----13-|

CAN'T READ THIS TAB? You can also view it here: http://guitar-music-theory.com/forum/viewtopic.php?f=2&t=439

Dueling Pianos International (2008 Short Demo)

2009-08-25T05:42:00.001-07:00

For those of you who are gigging, remember that all the knowledge in the world about Guitar Theory can not necessarily compensate for being a great entertainer! I'd recommend going to a Dueling Piano show to steal some tricks of the trade to incorporate into your own show.

When to Use Pentatonic Verse Major Scale Patterns

2009-08-08T09:20:00.000-07:00

"When guitar soloing, how do I know when to use a pentatonic scale or major scale?"

As taught in Fretboard Theory, each chord, progression or song has a corresponding pentatonic and major scale that can be played over it. It's your choice whether you use one over the other or combine them. If you're trying to copy a song, then follow what the song does. Minor scales use the same patterns as major scales.

I Will Possess Your Heart D Minor Pentatonic Bass Tab

2009-07-31T07:37:00.001-07:00

"I Will Possess Your Heart" by Death Cab For Cutie is a good example of an easy pentatonic scale song for guitar. The bass line is based on the D minor pentatonic scale patterns 3 and 4.

G|-------------------------------------------------|
D|-----------------------3------3---3-5-7--------------|
A|-3/5-5-5-3-3-5-5-3--5-5-5---5--------------------|
E|-------------------------------------------------|

To learn more about pentatonic scale patterns and guitar theory visit: http:Guitar-Music-Theory.com

Pentatonic Guitar Picking Techniques

2009-06-10T08:52:00.001-07:00

This guitar lesson demonstrates right hand alternate picking technique consisting of sequences of four notes. These four note groups are more difficult that the three note groups taught in the DVD Getting Started with the Pentatonic Scale.

Heavy Metal Guitar Tab Bang Your Head Verse Chord Inversions

2009-06-08T10:27:00.001-07:00

This guitar lesson is a great example of using chord inversions and shapes derived from the CAGED guitar system and played in the style of "Bang Your Head (Metal Health)" by Quiot Riot. This is the verse chord progression which uses partial "A form" barre chords and a pedal tone. Suitable for beginner level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Cult of Personality Tab C Major Scale Guitar

2009-06-05T08:01:00.000-07:00

"Cult of Personality" by Living Colour is a great example of using C major scale patterns for guitar. The main riff uses G Mixolydian mode (a.k.a. the "Dominant scale"). Additionally this example demonstrates how to develop alternate picking (or cross picking) technique, accuracy, fluidity and speed. Get free guitar tab when you sign up for a free preview of Fretboard Theory at: http://guitar-music-theory.com

Phish Tabs Tweezer Minor Pentatonic Scale Guitar Pull Off

2009-06-04T09:51:00.000-07:00

This free guitar lesson is a great example of using A minor pentatonic scale patterns played in the style of "Tweezer" by Phish. This is the opening guitar riff which utilizes a lot of pull-off technique. Suitable for intermediate level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Major Soloing Scales and Pentatonic Lead Patterns

2009-06-02T08:24:00.000-07:00

"I have learned the pentatonic scales up and down and connect them well but always revert to patterns 1 and a bit of 2 and 5 when guitar soloing. Any tips to ensure I don’t always fall into this trap?"

There is nothing wrong with favoring certain patterns. In fact, you really need to simplify things and get good at phrasing in one position at a time before you try to fly all over the whole fretboard. So it sounds like you're on the right track. And many accomplished players favor the same lead pattern you have put together.

"How essential is the major scale? Could I not get by soloing with just the pentatonic scale?"

About half of popular guitar melodies, riffs, lead solos and bass lines are played in major scale patterns. Just take a look at all the major scale song references in my guitar theory book. And music theory in general stems from the major scale and its structure. So you definitely want to know and play it well. But don't get ahead of yourself. I recommend focusing on the easier pentatonic scale patterns first. Be sure to learn lots of pentatonic scale songs while you're at it. Give yourself plenty of time to get comfortable with using the patterns and develop good technique. Then move onto the major scale patterns and repeat the whole process.

Playing Major Scale Patterns Over Minor Keys

2009-06-02T07:57:00.000-07:00

So to confirm what you said when playing over a minor key, I can still use the major scale without flatting any note or without raising any note. The same applies with other modes. Is that correct?

Yes. Minor keys use the same scale patterns and chords as major keys, you just phrase everything around a different scale degree like vi. Em is simply G major scale patterns. Am is C major patterns, etc. This is covered in Fretboard Theory Chapter 7: Roots, Keys and Applying Scales.

Rush Tab The Spirit of Radio Guitar Chord Inversion Lesson

2009-06-01T08:04:00.001-07:00

This guitar lesson is a great example of using chord inversions and shapes derived from the CAGED guitar system and played in the style of "The Spirit of Radio" by Rush. This is the chord progression that begins at 0:27 and is based on a partial "D form" barre chord. Suitable for intermediate level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Third Stone From the Sun Tab A Major Scale Guitar

2009-05-29T07:27:00.001-07:00

This guitar lesson is a great example of using A major scale patterns played in the style of "Third Stone From the Sun" by Jimi Hendrix. This is the octave guitar riff at 0:42 which is based in E mixolydian mode. You'll also learn about guitar modes and creating modal scale sounds. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Acoustic Guitar Solo Pentatonic Scale How to Tab Lesson

2009-05-28T08:57:00.001-07:00

This free guitar lesson is a great example of using E minor pentatonic scale patterns played in the style of "Turn Off the Light" by Nelly Furtado. This is the lead guitar solo that starts at 2:53. It's suitable for beginner/intermediate level players who are getting started with lead guitar technique. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Blink 182 Guitar Tabs Chorus Chord Inversion CAGED Lesson

2009-05-27T07:24:00.001-07:00

This guitar lesson is a great example of using chord inversions and shapes derived from the CAGED guitar system and played in the style of "Stay Together For the Kids" by Blink 182. This is the chorus at 0:39 and is based on a partial "C form" arpeggio pattern. Suitable for beginner level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Accurate & Complete Guitar Tab
To get the complete, accurate, fully licensed and legal guitar TAB for this song go to: http://www.unitedwetab.com/Guitar-Tab/Blink-182/Stay-Together-For-The-Kids/588?_dcs=DS20

This blog has moved to: http://www.guitar-music-theory.com/blog/

Stay Together For the Kids Tab D Major Scale Guitar

2009-05-22T23:11:00.001-07:00

This guitar lesson is a great example of using D major scale patterns played in the style of "Stay Together For the Kids" by Blink 182. This is the opening guitar riff which also makes for a great alternate picking exercise. You can also use this song as a play along jam track to practice connecting major scale patterns for guitar. Suitable for intermediate level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

No Woman No Cry Guitar Play Along Jam Track

2009-05-22T07:53:00.000-07:00

Use this jam track to practice playing the lead guitar solo licks and phrases taught in the "No Woman No Cry" video lesson.

Chord Progression: C G/B Am F, C F Em Dm C

Guitar Scales: C major scale, C major pentatonic scale

Play Until Yer Fingers Bleed!
Mr. Desi Serna (Google me!)
http://www.Guitar-Music-Theory.com
Pentatonic/CAGED/Progressions/Modes

No Woman No Cry Chords Scales For Guitar How to Solo

2009-05-22T07:47:00.000-07:00

An instrumental guitar jam played in the style of "No Woman No Cry" by Bob Marley. Learn about the chords and progression used in this song, plus how to apply pentatonic and major scale patterns over it. This guitar theory lesson is suitable for intermediate and advanced players who want to learn more about the inter-workings of music. No tab is available for this song, but you can play along with the jam track at: http://guitar-music-theory.com/music-theory-songs/NoWomanNoCry-JamTrack.mp3

Sublime Tabs Pawn Shop How to Guitar Solo Minor Pentatonic Scale

2009-05-19T07:19:00.001-07:00

This free guitar lesson is a great example of using E minor pentatonic scale patterns played in the style of "Pawn Shop" by Sublime. This is the opening lead guitar solo that starts at 0:28. It's suitable for beginner/intermediate level players who are getting started with lead guitar technique. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Dave Matthews Guitar Tabs Video Tripping Billies Chord Inversions

2009-05-18T08:22:00.001-07:00

This guitar lesson is a great example of using chord inversions and shapes derived from the CAGED guitar system and played in the style of "Tripping Billies" by Dave Matthews Band. This is the opening chord riff and includes partial major and minor "E form" barre chords. Suitable for intermediate level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

The Man Who Sold the World Tab F Major Scale Guitar

2009-05-14T08:54:00.001-07:00

This guitar lesson is a great example of using F major scale patterns played in the style of "The Man Who Sold the World" by Nirvana. This is the chorus bass line which begins at 0:45. Guitars tuned down 1/2 step to Eb. Suitable for beginner level plays who are getting started with playing scales. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Third Eye Blind Tabs Never Let You Go Bridge Chord Inversions

2009-05-11T07:24:00.001-07:00

This guitar lesson is a great example of using chord inversions and shapes derived from the CAGED guitar system and played in the style of "Never Let You Go" by Third Eye Blind. This is the chord riff that occurs in the bridge at 1:50 and includes part of an "E form" arpeggio pattern. Suitable for intermediate level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Modes to Harmonic and Melodic Minor Scales

2009-05-11T07:13:00.000-07:00

Apart from learning the minor modes in the major scale like Dorian, Phrygian, and Aeolian should guitar players learn modes built from the harmonic and melodic minor scales?

I don't teach the modes of the harmonic and melodic minor scales because they're used so infrequently. Instead I like to focus on more fundamental music theory like the modes of the major scale (which includes minor modes). I will say this, be sure to master the lessons I teach in my guitar theory book and DVDs before you venture into more complicated topics. And also keep in mind that exotic scales are used primarily in obscure music like bebop jazz and very advanced instrumental music (like some Joe Satriani songs). The exception would be the harmonic minor scale. It comes up in pieces every now and then but not in any unusual modal form. Check out the opening lead guitar solo to "Smooth" by Carlos Santana.

When you're ready I recommend checking out the following books from Dock Mock on harmonic and melodic minor scales for guitar.

Sir Duke Bass & Guitar Tab Sheet Music Major Pentatonic Blues Scale

2009-05-08T08:26:00.000-07:00

This free guitar lesson is a great example of using B major pentatonic blues scale patterns played in the style of "Sir Duke" by Stevie Wonder. This is the band riff that occurs at 1:04. For intermediate and advanced level players only. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Blues Guitar Scale Iron Man Example Minor Pentatonic Passing Tone

2009-05-06T07:55:00.001-07:00

This free guitar lesson is a great example of using B minor pentatonic scale patterns played in the style of "Iron Man" by Black Sabbath. This is the guitar riff that occurs at 2:04. It uses pentatonic pattern one together with chromatic passing tones creating what is commonly referred to as the "blues scale". Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Breakdown Tab Easy Guitar Solo Pentatonic Scale Lesson How to

2009-05-05T12:11:00.001-07:00

This free guitar lesson is a great example of using A minor pentatonic scale patterns played in the style of "Breakdown" by Tom Petty. This is the opening lead guitar riff based in patterns two and one. Techniques such as slides, hammer-ons and pull-offs make this a great song for intermediate level players who are learning how to guitar solo. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Accurate & Complete Guitar Tab
To get the complete, accurate, fully licensed and legal guitar TAB for this song go to: http://www.unitedwetab.com/Guitar-Tab/Tom-Petty/Breakdown/11197?_dcs=DS20

This blog has moved to: http://www.guitar-music-theory.com/blog/

What Key Are the Guitar Chords to Get Back by the Beatles in?

2009-05-05T09:56:00.000-07:00

"Get Back" by The Beatles is based in A Mixolydian mode (a.k.a. the dominant scale). Mixolydian is the fifth mode so the parent major scale is D. The open chord riff is A for three and a half measures followed by G and D. By number this would be 5 4 1, with the 5 chord A functioning as the root (or tonic). Some musicians like to always call the root chord 1 and then renumber everything from there, but I like to keep it simple and just leave the numbers as they occur in the parent major scale.

This song also includes some blues elements. You can here a minor third of A, C, thrown in for a little off key blues flavor. The guitar solo starts out in A major pentatonic, switches to D major pentatonic over the D chord briefly, but finishes with A minor pentatonic.

Music Theory for Guitar
"Get Back" by The Beatles may be an easy song to play, but it requires some music theory knowledge to understand. It's important to remember that concepts like modes and blues stem from more fundamental ideas like major scale patterns and chord progressions. Guitar theory is a process. Take it one step at a time.

Play Until Yer Fingers Bleed!
Mr. Desi Serna (Google me!)
http://www.Guitar-Music-Theory.com
Scales, Chords, Progressions, and More

Harmonic Minor Scale Guitar

2009-05-05T09:14:00.000-07:00

What key is the song "Malaguena" (Spanish dance) in that it uses the following chord progression; Am, G, F and E? It appears to be in the key of C except the E major chord. Shouldn't it be E minor? And what scale can I play over it?

You're right, the E chord should be minor. Then everything fits into the C major scale. In this example, the Am chord is functioning as the root (tonic). "A" is the relative minor (sixth degree) to "C". So this would be called A Aeolian mode or A natural minor.

But the E major chord has a raised third, G#. Often times a progression like this includes an E7 which has a V7 pull and resolution to the tonic Am. And when the E major, or E7, chord comes up, the lead/melody usually raises the G to G# too. Then back to G natural when the progression returns to Am. This is called the harmonic minor scale. Specifically, this application would be called the "A harmonic minor scale" because the Am is functioning as the root (tonic). Anytime you raise the seventh scale degree of a natural minor scale you create a V7 chord and harmonic minor scale.

You can hear this done in songs like "Smooth" by Santana, "I Will Survive" by Gloria Gaynor, and "Nothing Else Matters" by Metallica (E harmonic minor) just to name a few.

Music Theory for Guitar
Notice how more complex concepts like the harmonic minor scale stem from more fundamental concepts like major scale patterns and chord progressions. Guitar theory is a process. Don't get ahead of yourself!

Harmonic Minor Scale Guitar
When you're ready I recommend checking out the following books from Dock Mock on harmonic and melodic minor scales for guitar.

The difference between diatonic and pentatonic scales.

2009-05-01T09:09:00.000-07:00

1. What is the difference between the diatonic and pentatonic scales?

This is a great guitar theory question. The term diatonic basically means two tones. This refers to the two different kinds of steps that occur in major scales, whole-step and half-step. The word is also used to indicate when something stems from one key. For example, "this riff is all diatonic" means that all of its notes are straight out of the parent major scale. Or, "this guitar solo is not diatonic" means that it features notes that are not part of the parent major scale (like chromatic passing tones).

Pentatonic scale patterns are not considered diatonic because they are not based on a two step formula. And they don't have seven notes like major scales do.

2. How can I play a major pentatonic scale over a song that uses chords from the major scale?

The pentatonic scale follows the root chord in a progression. The root is the tonal center of a song and usually where everything starts and ends. If the root chord is major, then you can play the same major pentatonic scale over the whole progression. If the root chord is minor, then you can play the same minor pentatonic scale over the whole progression.

For example, the song "Wonderful Tonight" by Eric Clapton is based on a 1 5 4 5 (G D C D) chord progression in the key of G. The G chord is the root since everything pulls to and resolves on it. So you can play G major pentatonic scale patterns over the whole song. Just position pentatonic pattern one so that the second note is G (the relative minor is E).

The guitar solo to "Stairway to Heaven" by Led Zeppelin is based on a 6 5 4 chord progression in C, with the 6 chord Am functioning as the root. So you can play Am pentatonic patterns over the whole progression. Just position pentatonic pattern one so that the first note is A.

In order to use the correct major scale, you must take the whole progression into account, not just the root. So in the first example play G major scale patterns. In the second play C major scale patterns (Am is the relative minor).

Pentatonic and major scales are taught in Fretboard Theory Chapters 2 and 5. Roots, keys and applying scales is taught in Chapter 7.

Extreme Tab Hole Hearted Intro Chord Inversion CAGED Lesson

2009-04-28T07:37:00.001-07:00

This guitar lesson is a great example of using chord inversions and shapes derived from the CAGED guitar system and played in the style of "Hole Hearted" by Extreme. This is the opening chord riff and includes a triangular shape that stems from both the "C form" and "D form" barre chords. These types of chord fragments are common in all styles of music and the roots can be traced back to string 5. Suitable for intermediate level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Rhiannon Tab A Minor Scale Guitar

2009-04-27T10:13:00.001-07:00

This guitar lesson is a great example of using A minor scale patterns played in the style of "Rhiannon" by Fleetwood Mac. This is the opening guitar riff which includes double-stops, major thirds, minor thirds, and fifths. You can also use this song as a play along jam track to practice connecting major scale patterns for guitar. Suitable for intermediate level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

Accurate & Complete Guitar Tab
To get the complete, accurate, fully licensed and legal guitar TAB for this song go to: http://www.unitedwetab.com/Guitar-Tab/Fleetwood-Mac/Rhiannon/11067?_dcs=DS20

This blog has moved to: http://www.guitar-music-theory.com/blog/

Easy Guitar Riffs Tabs Pentatonic Scale Lessons How to Play

2009-04-24T08:26:00.001-07:00

This free guitar lesson is a great example of using G minor pentatonic scale patterns played in the style of "Lady Marmalade" by Gloria Gaynor. This is the opening guitar and bass riff that continues throughout the verses and choruses. It's suitable for beginner level players who are just getting started with scales and riffs. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

All Star Guitar Tab Chord Inversions CAGED

2009-04-23T07:00:00.001-07:00

This guitar lesson is a great example of using chord inversions and shapes derived from the CAGED guitar system and played in the style of "All Star" by Smash Mouth. This is the opening chord riff and includes chord shapes based on the "E form" and "A form" major and minor barre chords. These types of chord fragments are common in all styles of music. Suitable for intermediate level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

I Want Candy Tab D Major Scale Patterns Guitar Picking Exercise

2009-04-22T11:41:00.001-07:00

This guitar lesson is a great example of using D major scale patterns played in the style of "I Want Candy" by Bow Wow Wow. This is the opening riff which makes for a great guitar picking exercise. This song also includes a key change and Mixolydian mode. Suitable for intermediate level players and up. Get free tab for this song excerpt when you sign up for a preview of the book Fretboard Theory at: http://guitar-music-theory.com

How to Guitar Solo and Play Lead Guitar

2009-04-17T08:06:00.000-07:00

To learn the fine art of lead guitar soloing follow these steps.

1. Learn the scale patterns taught in my guitar theory course.
http://guitar-music-theory.com

2. Build your arsenal of licks and phrases by learning songs.
http://www.youtube.com/view_play_list?p=FD1758248F2C7509
http://www.youtube.com/user/GuitarScalesMajor

3. Learn how to rework parts from one song and play them over another.
http://video.google.com/videoplay?docid=947010768346257548
http://guitar-music-theory.com/jam-tracks.html

That should do it. Take your time.

Play Until Yer Fingers Bleed!
Mr. Desi Serna (Google me!)
http://www.Guitar-Music-Theory.com
Pentatonic/CAGED/Progressions/Modes

Blessed Be Your Name Christian Guitar Lesson

2009-04-12T03:23:00.001-07:00

Guitar tab, chords, lyrics, vocal melody, and jam track can all be found at: http://guitar-music-theory.com/tabs/BlessedBeYourName.html

"Blessed Be Your Name" by Matt Redman guitar theory lesson. Learn what chords and scales this popular Christian praise and worship guitar song uses including pentatonic and major scale patterns, CAGED chord inversions and arpeggio patterns. Also, learn about how to use effects such as distortion, delay, and volume pedal. PART 1 OF 3. Taught by Desi Serna author of Fretboard Theory. http://www.Guitar-Music-Theory.com